Spring Term Starts 7th January 2025

VOX HOLLOWAY – THE SONGS OF RANDY NEWMAN


ST LUKE’S HOLLOWAY February 15 2025
Since Vox began, we have celebrated the music of songwriters and performers such as The Kinks, Clara Sanabras, Johnny Cash, Nina Simone, Monica Vasconcelos and many others. 
Sometimes in complete performances of albums or in compilations of favourite songs – but always in new arrangements for soloists choir and band by Harvey Brough.
Now we turn the spotlight on Randy Newman, one of the most unusual of the great American singer songwriters. His family are a Hollywood musical dynasty – Alfred, Emil, Lionel, Thomas Newman were all film music composers. 
Randy began his career as a songwriter for hire in the Brill Building (alongside Carole King, Mike Stoller, Barry Mann and Cynthia Weil) knocking out pop songs for more (or less) established artists to perform.
He then began to write and record his own songs, releasing a string of 11 albums between 1968 and 2017.
His first single was the American football based Golden Gridiron Boy – an unlikely shot at the charts from this bespectacled artist, whose featured look was more geography teacher than rock star. 
 
Unlike most singer songwriters who wear their hearts prominently on their sleeves, Randy Newman often wrote in character – his songs feature a rogue’s gallery of dodgy types, ordinary joes, sleaze-balls, (even the voice of a slave trader in Sail Away), giving many of his songs a determinedly edgy atmosphere which can unsettle the listener. He has said that he has never written a song for (to) a specific person, although admitting that one of his most touching songs I Miss You was written for his first wife, after leaving her for his second marriage. 
 
His songs can be acerbic but also hysterically funny – You’re Dead is an ode to a washed out rock star who still insists on treading the boards. Short People, a song that is very funny to some, caused huge offence among the diminutive sector of American society, but can be read as a parody of racism.
 
We won’t perform all of the songs mentioned here, (for legal reasons) but we will sing a fabulous selection of Randy Newman’s oeuvre, an array of songs which range from exquisitely touching to hilariously offensive (often at his own expense) with all shades in between.
 
With Dan Moriyama – Piano
Mike Outram – Guitar 
Dan Copeland – Voice
 
Arranged and directed by Harvey Brough


 
VOX HOLLOWAY SALUTES THE SPECIALS
THE ALEXANDRA PALACE THEATRE April 12 2025


Jerry Dammers has written some amazing and very influential songs. He has given us permission to perform their third album. Their first album was revolutionary – the group was a black and white mix – and the songs were heavily influenced by ska and reggae. Their second album reflects Jerry’s interest in muzak and was equally successful. 
For me, the third album is the best of all – in spite of the original group having broken up, with the Fun Boy Three leaving after More Specials. 
It’s called In The Studio (ironically because they spent over two years making it). It has a wealth of fine songs – the only one that was a chart success was Free Nelson Mandela, a hugely important part of the campaign for his release. The other songs are equally strong and varied, touching on themes that were important to Jerry in 1984 and still resonate today – about racism, social issues, mental instability – they are musically very sophisticated (with some humour in them) – singing these songs will be a powerful experience. 

Posted in Uncategorized | Tagged , , , , | Leave a comment

The Bells of Paradise

Vox Holloway Chamber Choir

Sunday 15th December 19.00-21.00

Sunday, December 15
19.00-21.00

THE BELLS OF PARADISE

CHRISTMAS SONGS, OLD AND NEW FROM AROUND THE WORLD. ARRANGED BY HARVEY BROUGH

Vox Holloway Chamber Choir launch their CD and recording of the Bells of Paradise – music for Christmas arranged by Harvey Brough.

With soloists Eloise Irving, Faith Waddell, Maurice Wren, Steve Copeland

Liam Dunachie Piano

Sally Price Harp

The Julian Poore Brass quartet

DIRECTED BY HARVEY BROUGH

Posted in Uncategorized | Leave a comment

Britten and Brough – St. James’s Piccadilly Saturday November 30th

After two sold out concerts in 2023, Vox Holloway return to St James’s with a programme looking ahead to Christmas. They sing two of Benjamin Britten’s early masterpieces A Ceremony of Carols and Rejoice in the Lamb, timeless works from 1943 which never lose their freshness.

Juxtaposed with the Britten are new pieces by Harvey Brough – settings of AA Milne poems. Now We Are ( ) Six is a companion piece to A Ceremony of Carols, for Tenors and Basses rather than Sopranos and Altos, using some motifs from the Britten to illuminate AA Milne’s childlike but hugely insightful poems. It includes Us Two – the first appearance of a character called Winnie the Pooh.

King John’s Christmas is a brand new setting (for SATB) of the beloved poem, the hilarious yet extraordinarily touching story of a king who has everything except his only true desire – a big, red india rubber ball.

With soloists

Eloise Irving Soprano

Faith Waddell Soprano

and

Jean Kelly, Harp

Michael Haslam, Organ

Directed by Harvey Brough

Running time, 2 hours with an interval.

Posted in Uncategorized | Tagged , , , , | Leave a comment

Vox Holloway – Next stop Hollywood

On Wednesday Night Vox won the Best Project Category at the Making Music awards.

See the other entries in our category here

Posted in Uncategorized | Leave a comment

Vox Holloway Salutes The Kinks

Ahead of Vox Holloway’s performance celebrating the music of The Kinks at Alexandra Palace Theatre on Saturday 27 July 2024, Director Harvey Brough explains how it came about.

“In 2017 I had a phone call out of the blue from Sir Ray Davies’ office asking if I would do a couple of choral arrangements for two songs. I immediately said, “Yes!”

Ray was very generous to me about those arrangements, so I was emboldened to ask him if I could do an arrangement of a complete album – The Village Green Preservation Society, for its 50th anniversary. We then had several meetings, in a secluded side room within a reasonably downmarket café just around the corner from him, where he could sit and talk without being bothered. As people left the café, they might catch a glimpse of him as they got to the door – most were too cool to make deal of it, or were used to seeing him without making a fuss. 

We would sit and talk about anything – not really the Village Green Preservation Society project, but about music in general, sometimes politics – often about my lifetime of musical experiences and the things we had in common musically. I had to pinch myself quite often when I looked up and saw that face, that quizzical smile, those eyes. It’s Ray Davies, talking to me as if I was an equal, almost as a friend! 

I think it was a kind of test – he wanted to see if I was genuine and whether I would do a good job if he gave me permission to go ahead. 

After a few of these sessions, he said ‘come to Konk next week and we can talk through the album’. Which led to one of the strangest, kind of scariest experiences of my life – sitting at a grand piano in the legendary Konk Studios, playing and singing the whole of the seminal Kinks Village Green album to Ray and explaining what I might do with the songs. Sometimes he would join in with a backing vocal (which was quite surreal) and often he’d fill me in on details from the songs – like mentioning specific places in Muswell Hill, where he had grown up – and where we’ll bring the music back to this July.

A couple of years later, Ray asked me to arrange some of the songs from Arthur in ‘a cappella’ style. I put together a group, which he referred to as a Doo Wop choir – Arthur and the Emigrants. When I heard the final mix, it sounded something like my old group Harvey and the Wallbangers, but with Ray Davies on lead vocal. Amazing! I also worked with him on the Radio 4 play based on Arthur and found out how deeply that album draws on Ray and Dave Davies’ family’s experience when their brother-in-law moved to Australia as a ten pound pom.

Ray has always been incredibly generous to me, and supportive to Vox Holloway. He gave me a free hand to arrange the songs and trusted me to follow my instinct. The only musical advice he gave me was ‘don’t ruin it with lots of drums’. 

I hope I’ve passed the test. I’ve certainly done my utmost to honour an amazing man and a legendary musician and songwriter.

Sir Ray as you turn 80, we salute you!”

Vox Holloway Salutes The Kinks – Village Green Preservation Society, Alexandra Palace Theatre, Saturday 27 July 2024

Posted in Uncategorized | Tagged , , , , | Leave a comment