Autumn Term

Photo: Michael Ochs Archives/Getty Images

Vox gave an excellent performance of Requiem in Blue at St. John Smith Square for our summer concert. It was a great challenge – but the reception from the audience and from friends and family made us feel it was worth working hard to achieve. it was a special venue to perform in and a real celebration of 15 years of the mighty Vox Holloway.

We plan to do two projects next term, dividing the term in half. The first project will be to learn some songs by the Beach Boys. As you will know, Brian Wilson died a few weeks ago. A few days before that happened, JimmyJo was asking me (not for the first time) if we would do a Beach Boys programme with Vox. I said yes, so when the death was announced, I felt that I should honour that promise. I also felt that we should do something quite fun after the serious commitment of the Requiem in Blue concert.

Following the strategic review and the requests and comments that the choir made as part of it, we won’t do a performance but will learn some songs, do some workshop sessions on technique etc and then do an social evening to sing some of them informally to each other. That will be on the 19th of October and we will be joined by Lea Cornthwaite as our soloist.

The Beach Boys (Brian Wilson in particular) wrote some amazing songs – I hope to include some of the well known hits, but also to introduce you to several less well known, really profound songs.

For the second half of the term, we have an exciting opportunity to do a Christmas concert (on 7th December) with the supremely talented David le Page and his players. He has arranged many well known and less well known Carols and Christmas songs for an 8 piece group of excellent musicians. We will sing some of of those with them and then add some Christmas material of our own – perhaps a few things from the Bells of Paradise programme, perhaps some new material.

We very much look forward to seeing you at the start of term on the 9th of September. In the meantime have a great summer.

Harvey and the committee.

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Requiem in Blue July 19th

Requiem in Blue

Harvey Brough 

VOX HOLLOWAY

Sinfonia Smith Square, Westminster 

Saturday July 19 2025

Written in 1998 in memory of his brother Lester, Requiem in Blue is perhaps the best known and most performed of Harvey Brough’s choral oeuvre. Like all his compositions, the Requiem mixes together different and unusual genres for a choral piece. Although based firmly in the tradition of the Latin classical Mass, it mixes together adult and childrens voices with plainsong, folk song, early music influences and jazz improvisation, to dazzling effect.

It has been performed over 100 times all over the UK and in Europe, including venues such as the Barbican, St Johns Smith Square, Cadogan Hall, Union Chapel, (London) – Ely Cathedral, Portsmouth Cathedral, Bath Abbey, Great St Mary’s, Cambridge and The Usher Hall, Edinburgh. And by many schools, including Christ’s Hospital, Dulwich College, Uppingham, Oundle, Clifton College, City of London School.

Many outstanding musicians have performed in the piece and in the CD recording, including Liane Carroll, Jacqui Dankworth, Natacha Atlas, Gerard Presencer, Mike Outram, Alec Dankworth, Julian Siegel, Winston Clifford, Andy Hamill, Tom Arthurs and James Maddren.

The Pie Jesu and the final movement, Lux Aeterna feature words from Spoonface Steinberg by Lee Hall (writer of Billy Elliot) – like all of Requiem in Blue, this last movement, although rooted in a Christian tradition is a powerful plea for universal redemption.

Vox Holloway will perform with Harvey’s band of musicians and soloists Charles Daniels and Maurice Wren, conducted by the composer. 

Remarkably, the soloists in Requiem in Blue are Kate Brook and Emily Dankworth, both of whom performed as youngsters in the work’s premiere in Eye Church, Suffolk.

Other pieces in the programme are Valete in Pace (Brough), commissioned for the 60th anniversary of DDay, and Five Mystical Songs (Vaughan Williams).  

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Vox Holloway Salutes the Special AKA – Saturday 12th April

After their triumphant concert in July 2024 singing two Kinks albums (newly arranged by Harvey Brough) in the presence of Ray Davies, Vox Holloway community choir return to Alexandra Palace Theatre with another outstanding musical venture.

We salute The Special AKA, leading lights of the Two Tone movement – and specifically, the remarkable third album In the Studio written primarily by the great Jerry Dammers.

In The Studio is named ironically, because they spent over two years making the album. It has a wealth of fine songs including Free Nelson MandelaWar Crimes, both really serious songs – also What I like Most about you (is your Girlfriend), a droll chat up song. The other songs are equally strong and varied, touching on themes that were important to Jerry in 1984 and still resonate today – about racism, social issues, mental instability. They are very varied musically a little more jazz influenced than the first two albums but still with an irrepressible ska edge to them.

Vox Holloway is joined by an all star band and powerhouse soloist Sarah Brown for an unmissable tribute to Jerry Dammers and The Special AKA.

Age recommendation: 12+

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 VOX HOLLOWAY SALUTES THE SPECIALS ALEXANDRA PALACE THEATRE April 12 2025


Jerry Dammers has written some amazing and very influential songs. He has given us permission to perform their third album. Their first album was revolutionary – the group was a black and white mix – and the songs were heavily influenced by ska and reggae. Their second album reflects Jerry’s interest in muzak and was equally successful. 
For me, the third album is the best of all – in spite of the original group having broken up, with the Fun Boy Three leaving after More Specials. 
It’s called In The Studio (ironically because they spent over two years making it). It has a wealth of fine songs – the only one that was a chart success was Free Nelson Mandela, a hugely important part of the campaign for his release. The other songs are equally strong and varied, touching on themes that were important to Jerry in 1984 and still resonate today – about racism, social issues, mental instability – they are musically very sophisticated (with some humour in them) – singing these songs will be a powerful experience. 

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Spring Term Starts 7th January 2025

VOX HOLLOWAY – THE SONGS OF RANDY NEWMAN


ST LUKE’S HOLLOWAY February 15 2025
Since Vox began, we have celebrated the music of songwriters and performers such as The Kinks, Clara Sanabras, Johnny Cash, Nina Simone, Monica Vasconcelos and many others. 
Sometimes in complete performances of albums or in compilations of favourite songs – but always in new arrangements for soloists choir and band by Harvey Brough.
Now we turn the spotlight on Randy Newman, one of the most unusual of the great American singer songwriters. His family are a Hollywood musical dynasty – Alfred, Emil, Lionel, Thomas Newman were all film music composers. 
Randy began his career as a songwriter for hire in the Brill Building (alongside Carole King, Mike Stoller, Barry Mann and Cynthia Weil) knocking out pop songs for more (or less) established artists to perform.
He then began to write and record his own songs, releasing a string of 11 albums between 1968 and 2017.
His first single was the American football based Golden Gridiron Boy – an unlikely shot at the charts from this bespectacled artist, whose featured look was more geography teacher than rock star. 
 
Unlike most singer songwriters who wear their hearts prominently on their sleeves, Randy Newman often wrote in character – his songs feature a rogue’s gallery of dodgy types, ordinary joes, sleaze-balls, (even the voice of a slave trader in Sail Away), giving many of his songs a determinedly edgy atmosphere which can unsettle the listener. He has said that he has never written a song for (to) a specific person, although admitting that one of his most touching songs I Miss You was written for his first wife, after leaving her for his second marriage. 
 
His songs can be acerbic but also hysterically funny – You’re Dead is an ode to a washed out rock star who still insists on treading the boards. Short People, a song that is very funny to some, caused huge offence among the diminutive sector of American society, but can be read as a parody of racism.
 
We won’t perform all of the songs mentioned here, (for legal reasons) but we will sing a fabulous selection of Randy Newman’s oeuvre, an array of songs which range from exquisitely touching to hilariously offensive (often at his own expense) with all shades in between.
 
With Dan Moriyama – Piano
Mike Outram – Guitar 
Dan Copeland – Voice
 
Arranged and directed by Harvey Brough


 
VOX HOLLOWAY SALUTES THE SPECIALS
THE ALEXANDRA PALACE THEATRE April 12 2025


Jerry Dammers has written some amazing and very influential songs. He has given us permission to perform their third album. Their first album was revolutionary – the group was a black and white mix – and the songs were heavily influenced by ska and reggae. Their second album reflects Jerry’s interest in muzak and was equally successful. 
For me, the third album is the best of all – in spite of the original group having broken up, with the Fun Boy Three leaving after More Specials. 
It’s called In The Studio (ironically because they spent over two years making it). It has a wealth of fine songs – the only one that was a chart success was Free Nelson Mandela, a hugely important part of the campaign for his release. The other songs are equally strong and varied, touching on themes that were important to Jerry in 1984 and still resonate today – about racism, social issues, mental instability – they are musically very sophisticated (with some humour in them) – singing these songs will be a powerful experience. 

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