Join us this summer term from 6th May

Fancy a summer of singing? Here are our joining details for this term, starting on Tuesday 6 May. The registration desk should be open from 7.10pm for a 7.30pm start. Subs will be £30 again this term and scores will be £15 (or what you can afford if unwaged).

Our summer concert will take place the evening of Sunday 20 July.

This term will be led by Justin Butcher and the music will include:

  • Ralph Vaughan Williams, Serenade to Music
  • George Freideric Handel, Ode for St. Cecilia’s Day
  • Joseph Haydn, Missa Sancti Nicolai (Nicolaimesse)

Join us any Tuesday in May, after which it might be a bit tricky to catch up. If you are new to Vox Holloway, your first rehearsal is a free one to see if you think it would suit. Enter the church by the side door on the left of the building and then, turning right, you’ll see/hear the choir assembling through a tall pair of double doors. There will be people at a desk in the main body of the church, come and make yourself known and collect some music.

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Concert 6th April: This World & The Next

We hope to see you for our Spring Concert on Sunday 6th of April at St. Luke’s. Tickets are available via Eventbrite or can be bought on the door. Doors open at 7pm along with the bar and the performance starts at 7.30pm.

The concert is called This World & The Next, and the theme has been prompted by the impending anniversary of WW1 and by the sense that this world and the next can seem both real and strange. The choir will be singing a new work by Harvey Brough called Incantation of Eden, a kind of cradle-song to a new-born child which embodies the sense of loss and hope brought about by this seeming strangeness. We will also sing Fauré’s Requiem in D Minor which engages with the land of the departed and provides a wellspring of inspiration to the living. Britten’s cantata Rejoice in the Lamb sets Christopher Smart’s paen of praise by all things in existence in the world into a polyphony of astonishing ideas and sound. We return to Fauré at the end of the concert for his Cantique de Jean Racine which evokes the dawn of a new day with rich warmth.

This World

 

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Valentine’s night

Soloists, a chamber choir, music, nibbles, bubbles, poetry, glamorous staging : it’s Valentine’s night at St Luke’s, as part of ‘The Grand Scheme’ an initiative at St Luke’s to raise money for church funds. Please join us on Friday 14th Feb at 7.30-8.30pm for a lovely early evening. Tickets £10/£5 on the door.

Love makes everything that is heavy light - Thomas a Kempis

Love makes everything that is heavy light – Thomas a Kempis

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Scaramouche Jones

Justin Butcher invites invite you to the Pleasance Theatre, Islington, next weekend, where he is doing just 2 performances of his one-man play, Scaramouche Jones, on January 25th & 26th at 7.30pm. Box office: 020 7609 1800, or book online at http://www.pleasance.co.uk. Pleasance Theatre, North Road, London N7 9EF. Nearest tube Calendonian Road, Piccadilly line.

Scaramouche Jones Pleasance January 2014

Reviews and insight into the performance:

  •  “A mesmerising piece of storytelling theatre” (Lyn Gardner, The Guardian)
  • “Justin Butcher’s fascinating, poignant, funny play” (Jeremy Kingston, The Times)
  • “A masterpiece of solo Magic Realism, impeccably written, perfectly performed” (Philip Fisher, British Theatre Guide)
  • “A superbly inventive monologue played with electrifying energy by the show’s author, Justin Butcher.” (Lloyd Evans, The Spectator)
  • “This extraordinary solo piece by Justin Butcher – a hilarious, picaresque and terrifying fairy tale … an extraordinary confrontation between unmitigated evil and the spirit of healing comedy that is completely moving.” (John Peter, The Sunday Times)

Extract from A Spectacle Of Dust, autobiography of the late Pete Postlethwaite:

“My appetite for the theatre was increasing and I’d also begun working on a project by Justin Butcher, called Scaramouche Jones. Justin and the director, Rupert Goold, wanted to put it on and sent it to my agent. I adored it and … was certain from the off.

It spanned the hundred years of the twentieth century and had a cast of one: me. I played a hundred-year-old clown on the last night of his life, looking back at his own story, a story that took in numerous adventures across the globe.Scaramouche was an everyman character, a clown by trade. He had an extraordinary capacity for making people laugh and took the sins of the world on his shoulders, despite being an ordinary clown.

Justin’s script was phenomenal in its detail, like a baroque cathedral. I pictured it as a massive oratorio with different notes. Scaramouche had seven white masks that had been accumulated at various points in his life and he wanted to rid himself of them so that he could go naked into death. Each night was emotionally liberating and new; I’ve never been a musician but I imagine if I were to play a piece by Bach I’d interpret the notes in a different way each time I played. That’s how I can best describe it.”

  •  “Hilarious – storytelling at its best” (Benedict Nightingale, The Times)
  • “See Scaramouche Jones or you will regret it.” (Robert Iles, What’s On Stage)
  • “Justin Butcher’s gloriously elegiac prose” (Sophie Gorman, Irish Independent)
  • “Unique … stunning … a new kind of theatre” (Karen Joyner, Metro)
  • “Remarkable … a joyous odyssey” (Jeremy Brien, The Stage)
  • “Genius behind the mask of a clown … Butcher’s use of language is sensational … dense, inventive and beautifully constructed … every line dances” (Vicky Frost, Bristol Evening Post)
  • “If you only see one play this year make this it” (Alison Bellamy, Yorkshire Evening Post)
  • “Tragic, funny and superbly delivered” (Cameron England, Adelaide Advertiser)
  • “Brilliantly written … poetry drips from every beautifully turned line.” (Robert Horne, Adelaide Independent Weekly)
  • “Stunning piece of theatre … hilarious and touching, tragic and genuine.” (Jamie Wright, Adelaide Theatre Guide)
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Spring term: Fauré’s Requiem

Our 2014 programme begins with the French composer Gabriel Fauré’s sublimely beautiful and popular Requiem in D Minor, for choir & soloists, organ, strings and harp. The programme will also include Fauré’s heart-stirring ‘Cantique de Jean Racine’ and the premiere of a new work by Vox Holloway’s acclaimed composer-in-residence, Harvey Brough.

The concert date is early April, either April 4th or 6th (to be confirmed). Rehearsals start on Tuesday 14th January at St Luke’s with the Fauré. We advise you to sign up during the first 4 weeks to get the most out of the term. Front desk will be open from 7.15pm and rehearsal starts at 7.30pm. Subs will be £30 (or what you can afford) and scores are currently anticipated to be £15. Please be aware there may be a further £5 charge for scores later in the term depending on how sourcing the remaining scores goes.

Everyone is welcome to come and join in – no auditions, no prior experience of choral singing required, and you do not have to be able to read music. We are an extremely friendly, welcoming, informal and fun musical community who at the same time manage to tackle some fantastically ambitious creative programmes with great success (most recently singing in Arabic, Catalan, and Spanish and raising in excess of £10k for the Syrian refugee crisis at our ‘Songs of Exile’ concert in December 2013).

We are particularly seeking new and returning MALE SINGERS. There is a national epidemic of male shyness when it comes to singing, which we are determined to cure! If you are a man, and have a voice, please come and join us! Attractions: we have lots of beautiful female singers, a small but splendid core of male singers, and we serve beer at every rehearsal. Singing in 4-part harmony in a 70-strong choir, together with professional orchestra and soloists, is an incredibly fulfilling, creative and inspiring experience and we want you to be part of it!
Gabriel Fauré: a man!

Gabriel Fauré: a man!

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